Günter Brus.
Fault zones March 12, 2016 - June 6, 2016
Martin-Gropius-Bau

Duration March 12, 2016 - June 6, 2016

Location Martin-Gropius-Bau

Organizer: Berliner Festspiele / Martin-Gropius-Bau. An exhibition by the Nationalgalerie - National Museums in Berlin and the Martin-Gropius-Bau in collaboration with the "BRUSEUM / Neue Galerie Graz, Universalmuseum Joanneum". Made possible by the Association of Friends of the National Gallery. With the kind support of the Cultural Department of the State of Styria and the Austrian Cultural Forum Berlin.

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[photo_subtitle subtitle=“Günter Brus: Viennese walk, July 5, 1965. City center, 1010 Vienna | © BRUSEUM / Neue Galerie Graz, Universalmuseum Johanneum | Photo: Ludwig Hoffenreich" img="https://freunde-der-nationalgalerie.de/wp-content/uploads/2018/07/02_Wiener_Spaziergang_1965_1.jpg"]

Since Günter Brus (born 1938 - lives in Graz) appeared in public as an “actionist” with the Vienna Walk in 1965, he has created a diverse oeuvre. It is the artist's first exhibition in Berlin, even though the artist lived there for a long time and had a significant influence on the city's art scene. The comprehensive show, entitled “Zones of Disturbance,” takes you through his entire work, but also focuses on it.

Starting with the informal works, the actionist period is shown in films, photos, documents and numerous drawings, giving a vivid impression of the artistic environment from which the art emerged. At the beginning of the 1960s, Viennese Actionism expanded painting not only into the object area, but into the physical realm. With his “self-paintings”, Brus played a decisive role in the performative turn in literature and fine art. In 1970, the last “Term Test” campaign took place in Munich.

After being sentenced to prison in Vienna for “degrading Austrian symbols and violating morality and modesty,” Brus fled into exile in West Berlin. Between 1969 and 1975 he created not only extremely important works with which he was invited to documenta 5, 1972 and again to documenta 7, 1982. A creative cosmos emerged in the “Exil” restaurant in Berlin-Kreuzberg in the 1970s that continues to have an impact on the artist and intellectual scene today.

The friendship pictures can be seen closely with this time. The drawings of fellow artists such as: For example, a separate chapter of the exhibition is dedicated to Arnulf Rainer, Ossi Wiener, Gerhard Rühm and many others. Günter Bru's close relationship to music, the stage and his great visual poems are presented in detail. The exhibition has a retrospective character without being a complete retrospective.

A catalog with around 200 pages will be published by Verlag Walther König to accompany the exhibition. Authors of the catalog: Barbara Catoir, Roman Grabner, Britta Schmitz.