Hiroshi Sugimoto – Retrospective
July 4th, 2008 - October 5th, 2008
Neue Nationalgalerie

Duration July 4, 2008 - October 5, 2008

Location New National Gallery

The exhibition was made possible by the Friends of the National Gallery.

From July 4, 2008, the Neue Nationalgalerie dedicated the Japanese photographer Hiroshi Sugimoto to the most extensive retrospective of his fascinating work to date in the German-speaking world, which was shown in Berlin as well as in Düsseldorf, Salzburg and Lucerne. The exhibition includes over 70 photographs and a sculpture by the great master of black and white photography and shows the great diversity of his groups of works, whose captivating clarity and precision immediately catch the eye.

Hiroshi Sugimoto has been working almost exclusively in the medium of black and white photography for over thirty years and creates highly precise, very calm representations that deal with questions of reality and depiction, with time, the passing and retention of time and, above all, with shadows and deal with finely nuanced gradations of gray tones. His works are concentrated, very present and engaging. In their clarity, they radiate silence and calm and sometimes appear meditative, which one would like to associate with the artist's Japanese origins. Sugimoto was born in Tokyo in 1948 and moved in the early 1970s, first to Los Angeles and finally to New York, where he still lives and works today in addition to his residence in Tokyo.

Sugimoto always works in series that often span several years. His themes are very different, but are connected in their origins by the fact that they are never spontaneous snapshots, but rather well-considered and planned recordings that were realized with the greatest precision and technical perfection. “I’m not a hunter,” says Sugimoto, “I already have my images in my head, then I go out to realize these ideas.”

His earliest series is that of dioramas. At the American Museum of Natural History in New York, he began photographing the stuffed animals in front of painted backdrops. Photography eliminates the boundary between three-dimensional 'reality' and two-dimensional illusion and makes the representation appear more real than the diorama itself, thus raising questions about reality and reproduction as well as the objectivity of photography. Sugimoto's series of portraits, in which he photographed famous personalities such as Henry VIII and his six wives in Madame Toussaud's wax museum, also plays with this irritation between illusion and reality.

The origin of the “Seascape” series relates to a different aspect of the transience of time. Sugimoto wondered “if anyone today could see something the same way people saw it in prehistoric times.” The sea, he thinks, is such an unchanging scene. His seascapes consist of shots of water, horizon and sky divided exactly in the middle of the image.